Why Should the Devil Have All the Good Music?

The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at  the dawn of America’s culture wars .   In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors,