The Politics of Translating Sound Motifs in African Fiction

Starting with the premise that aesthetic choices reveal the ideological stances of translators, the author of this research monograph examines works of fiction by postcolonial African authors writing in English or French, the genesis and reception of their works, and the translation of each one into French or English. Texts include those by Nuruddin Farah from Somalia, Abdourahman Ali Waberi from Djibouti, Jean-Marie Adiaffi from Côte d’Ivoire, Ayi Kwei Armah from Ghana, Chenjerai Hove from Zimb