The Musical Language of the Twentieth Century

This book provides not only an understanding and appreciation of Georg von Albrecht’s musical art, but also links his compositional approach to a broader historical and theoretical context. The significance of the study lies in the discovery of a «missing historical link» in the evolution of principles that range from the pentatonic formations and modalities of folk music and polymodal combination to the more abstract realm of serial procedures. These principles often unfold in contexts based on