The Embodied Reader in D. H. Lawrence’s Criticism and Fiction

This book offers a new reading of D.H. Lawrence’s critical and fictional modernism, setting it in dialogue with a recent, multifaceted turn in literary studies towards readers’ affective and embodied responses to texts. It argues that Lawrence’s critical works acknowledge, in their turbulent forms as well as their explicit statements, reading as an embodied experience, and explores how his affectively charged critical practice is rooted in a distinct early-twentieth-century culture of autodidact