Syncretic Arenas

This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies cele¬brate Irobi’s significance as actor, play¬wright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, devel¬opment, concerns, and uses of drama and theatre in Africa. The contributions high¬light the evolution of autochthonous thea¬trical practices: the interaction between Wes