Spenser’s Afterlife from Shakespeare to Milton

by Jennifer C. Vaught

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Description

This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser’s long and shorter poems for creating comedy, parody, and satire. Their appropriations, which were widely influential on communities of readers, writers, and intertextual networks from 1590–1660, left an abiding impression of Spenser as a biting satirist. Spenser’s Afterlife from Shakespeare to Milton: 'The Faerie Queene' as Intertextual Environment is the first study to combine the