Proxistant Vision

How the surge in aerial technologies, such as drones and satellites, influences visual culture beyond the screen. The smooth flight from aerial overview to intimate close-up in Martin Scorsese’s Hugo (2011) exemplifies the concept of proxistant vision: a combination of proximity and distance, close-up and overview, detail and the big picture, in a unified visual form. In Proxistant Vision , Synne Bull and Dragan Miletic develop the concept of proxistant vision and trace its emergence as a visual