Perfection’s Therapy

Albrecht Dürer’s master engraving, Melencolia I , has stood for centuries as a pictorial summa of knowledge about melancholia and an allegory of the limits of earthbound arts and sciences. Zealously interpreted since the nineteenth century, the work also presides over the origins of modern iconology. Yet more than a century of research has left us with a tangle of mutually contradictory theories. In Perfection’s Therapy , Mitchell Merback discovers in Melencolia’s opacity a fascinating possibili