ORACULE

ORACULE occurs at the intersection of poetry and theatre. Its characters inhabit a classical and cosmological world where psychic phenomena constantly threaten to impinge upon the arc of combat occurring between the women trapped within. Influenced by Friedrich Nietzsche’s The Birth of Tragedy, the writings of Plato, the films of Pier Paolo Pasolini, and The Odyssey, ORACULE approaches self and identity through a fractal, performative lens, subverting Socratic dialogue. Through lyric expressions