Of Silenced and Unheard Voices from the South

Luisa Valenzuela’s oeuvre is marked by a fixation with marginal characters, those often rendered invisible by society and outside hegemony: the subaltern. Valenzuela’s El Mañana captures echoes of the past, aggravated in a globalized world, takes them apart and reassembles them, to then project them into the future. With a clearly dystopian intention, Valenzuela’s novel reveals how instances of subjugation under despotism may be re-enacted by following a pattern of forgetting and repeating. This