Modern Print Artefacts

Demonstrates the ways in which print artefacts asserted and contested literary value in the modernist period This study focuses on the close connections between literary value and the materiality of popular print artefacts in Britain from 1890-1930. The book demonstrates that the materiality of print objects—paper quality, typography, spatial layout, use of illustrations, etc.—became uniquely visible and significant in these years, as a result of a widely perceived crisis in literary valuation.