John Cage Composing, Computing, and Curating

This study reassesses Cage’s multifaceted practice from a transdisciplinary perspective, using text as a premise for his musical, visual, lingual, and museal compositions. In his compositions, John Cage opened the structures of music, language, and the museum to change perpetuated by chance operations. His correspondences across history with an extended circle of creators, including Erik Satie, Marcel Duchamp, and Henry David Thoreau, among many others, erased single-minded authorship via method