In Kierkegaard's Garden with the Poppy Blooms

Chris Boesel invites readers into a Kierkegaardian style literary conceit, creating two pseudonymous voices—one philosophical and deconstructive, one theological and confessional—in order to stage an encounter between two commentaries on Kierkegaard's Fear and Trembling. On one level, the contest between the two commentaries demonstrates the extent to which an encounter between deconstruction and Kierkegaard has not taken place in the one place everyone thinks it has, in Derrida’s reading of Fea