Gendered Aesthetics of Blackness

Explores how Afro-Cuban women's visual art challenges dominant narratives of race, gender, and identity. Gendered Aesthetics of Blackness delves deeply into the visual artistry and activism of Afro-Cuban women in Cuba and the United States. Influential in their communities yet overlooked in the mainstream art world and academic discourse, Harmonia Rosales, María Magdalena Campos-Pons, Belkis Ayón, and Susana Pilar practice what Rosita Scerbo calls "Decolonial AfroARTivism." These women use their