Gender, Otherness, and Culture in Medieval and Early Modern Art

This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts’s Justice of Otto III, Albrecht   Dürer’s Feast of the Rose Garland,  Rembrandt van Rijn’s Naked Woma