Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays

Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays explores society’s influence on identity in Spanish theatrical works and discusses parallels to these works in contemporary popular culture. The Spanish plays El retablo de las maravillas ( The Marvelous Puppet Show ) by Miguel de Cervantes Saavedra (1615); Virtudes vencen señales ( Virtues Overcome Signs ) by Vélez de Guevara (1620); El público ( The Audience ) by Federico García Lorca (1929); and La llamada de Lauren ( Laur