Disarchiving Anguish

The book examines the modalities of witnessing in the works of Charles Reznikoff. Associated with the so-called “Objectivist” group created in New York in the early 1930s, Reznikoff is often called a poet-witness because the material he draws on in his poetry and, to a lesser extent in prose, comes from his observations of urban life and from authentic testimonies he found in archives. Yet, the process of turning eye-witnessed situations and contents of depositions given by other witnesses into