Die Upon a Kiss

In A Free Man of Color and Sold Down the River , Benjamin January guided readers through the seductive maze of New Orleans' darkest quarters. Now January joins the orchestra of the city's top opera house — only to become enmeshed in a web of hate and greed more murderous than any drama onstage. In 1835, the cold February streets glitter with masked revelers in Carnival costumes. An even more brilliant display is promised at the American Theater, where impresario Lorenzo Belaggio has brought the