Bergson and the Art of Immanence

An immanent turn in art history This collection of 16 essays brings 20th-century French philosopher Henri Bergson’s work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson’s work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice. Key Features 16 essays from world-renowned art theorists, philosophers and Bergson scholars